Week 01: Wordless Comics
This week, I got visual pleasure by reading Shaun Tan's “The Arrival”. Unlike comics, which are written or shown in conversation, these works proceed through sequential images of pictures.
This kind of graphics is called wordless “Graphic Novel”. When we look at the title "The Arrival", we can guess that the story of this work has arrived somewhere away from somewhere. And in reality, this work proceeds through the frame of each episode arriving somewhere.
This work shows the speaker who lives the life of immigrants in the imaginary world with beautiful illustrations. In the early days, scenes seemed to be almost realistic life, but as the screen progressed, it showed that it was a work with a lot of fictional imagination images through delicate description screen composition.
The scenes show similar forms of scenes such as dramas, movies, and animations.
On page 47, the speaker uses a technique that makes the image blurred as he gets his mind to the point of view. The 90-91 page shows the whole scene and then describes the situation in the space in detail. And when you look at 114-115 pages, each character is shown as a close up by one frame, and the scene that becomes a zoom out on the screen where the two characters meet is expressed. Through the scenes where each image is connected, the story is naturally progressed in the head.
"The Arrival" has a picture body consisting of delicate descriptions of black and white pencils. The black and white paintings make the immigrants feel more unfamiliar when they come to a new space and give them a feeling of seeing old pictures so that they feel like recalling the past while watching a single photo album. It was a work that could grasp the contents more clearly than well-written writing. People who like to be composed of novels and other articles rather than comics or graphic novels with a lot of images usually prefer the former because it seems to give the limit of imagination. However, "The Arrival" is a work that can break down such opinions. The situation is seen one by one, but the possibility of interpreting what kind of dialogue is infinite.
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