Literature of comics & the graphic narrative course 2020

This week was a week of reading graphic nobles drawn by female writers. I read one of these books, “My favorite being is monsters,” by Emil Ferris. I was surprised when I first saw this work. Because there was a face of a woman with a blue pen that occupied the entire screen, and this was influenced by her childhood memories of her love of monsters and horror media. The illustration of this work came to me very interestingly. Her book has the same layout as the one in the notebook, and it felt like watching her picture diary, so it was more immersive. And she painted very well, so she realized the description of the objects. She started painting with a ballpoint pen in her notebook because her health was bad and she did not make money well. So she started painting with materials that were easy to get out of the things around her. The reason she was really great was that she continued to work with an unobstructed material called a ballpoint pen. "My favorite thing is monst

This week I read Asterios Polyp by David Mazzucchelli, which consists of an illustration that is holding our eyes. This book is not so old since it was written. It was published in 2009. The storyline of this book is a graphic novel about the life of Asterios Polyp, a professor who teaches students at Cornell University in New York. When I read the book, I could see that the character of Asterios Polyp is not good. I did not like him all the time, but I kept wondering why he had such a personality and kept seeing the book. The illustrations that make up every page apart from the character's unfavorable personality were fantastic. I mainly used colors that make me feel dreamy, such as dark pink, blue and purple, not the color I see. In the early days, there was a scene where the building with the main character was lit. I gave an image of the cross-section of the building on one screen and showed people going down and saw the use of free panels. He expressed his sense of urgency.

I learned about and had the opportunity to read this week's Osamu Tezuka's work, and he's the father of Japanese animation. Japanese cartoons are very familiar to me, and I've seen cartoons since I was a kid, and I've seen a lot of movies and animations based on them. It was amazing when Astro Boy found out that he was the character of the comic he made. The most recent one was a cartoon called Dororo, and I first encountered a remake of animations before the cartoon, and the theme of a child born under a curse was intriguing. The journey of bringing almost all the organs back to other monsters was another interesting thing. The picture of the animation I saw was similar to the animation of today, and I could see that the picture of the original Tezuka is similar to the picture of Astro boy. The movement of his dark eyebrows enriched his character's expression. If you look at his cartoons, you can see the use of free panels according to the scene, which made

As soon as I saw the word "Pyongyang" in the list of books to read this week, I started to read this book with a familiar feeling. I am a South Korean, so the word Pyongyang is very familiar, but it is a divided country between South and North Korea, so the South Korean nationality does not have the authority to visit North Korea. So I started to read this book with the idea that I could see the presence of the place where the same culture and history of the past were. "Pyongyang: A Journey in North Korea" is a book written by Guy Delisle. Delisle is a Canadian Quebec writer who wrote a book about his two months at a French animation company in Pyongyang, "Pyongyang: A Journey in North Korea". North Korea has all the bureaucracy of totalitarian closure, which contains his experience of expressing the difficulties he has experienced in his life in Pyongyang. The overall picture has a monotonous tone, so it was very suitable to express a closed atmospher

This week I read "American Born Chinese" written by Gene Luen Yang. When I saw these stories at first, I thought that each of them had different contents because three stories were divided. The first story is related to the legend that The Monkey King is the main character. The second is a story about a first-generation immigrant boy named Jin Wang, who is related to school life, and the third is about a Chinese cousin, Chin-Kee, who visited a white boy's school called Danny, the main character. But if you read these stories to the end, you can see that these characters are all the same person. Their journey shows that it is the main content to find their identity. In the middle of the content, the main characters were able to indirectly see the stereotypes about Asians in the United States, but I thought that it was more empathic because I had experienced it in reality. I think that the story is a work that reflects reality because it contains all the ideas of the goo

The book that came to be read this week saw the graphic novels, "Maus" written by Art Spiegelman and "Barefoot Gen" written by Keiji Nakazawa. Both books were written in relation to those who had become victims of war; of these two books I would like to talk to are Barefoot Gen, written by Keiji Nakazawa. I have lived in Korea, a side of Japan, so I knew some about this case. The simple plot of "Barefoot Gen" was a book that showed the sadness of losing a family due to the collapse of a family that had been peaceful by an atomic bomb. Before seeing this book, I first encountered the animation version, but it was made after the cartoon, so the picture was definitely cleaner. When I look at the book, I use the hatching technique to make it look effective according to the situation. On page 5, I drew a long line around the plane several times to effectively express the urgent situation and the movement of the airplane. The overall person-drawing style was